- Contrary form outside appearance 12/10 is not scoring something insanely high, it evens out to be a rating of about 7/10 1 A fast positive response to a question about and activity 2 To state some thing is good.
- TC 90-1 Training for Urban Operations May 2008 DISTRIBUTION RESTRICTION: Approved for public release; distribution is unlimited. Headquarters, Department of the Army.
- Department of Housing and Urban Development 451 7th Street S.W., Washington, DC 20410 Telephone: (202) 708-1112 TTY: (202) 708-1455.
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Chapter 12 Storage September 2017 Urban Drainage and Flood Control District 12-1 Urban Storm Drainage Criteria Manual Volume 2. Detention storage facilities manage stormwater quantity by attenuating peak flows during flood events. Depending on the design, they can also enhance stormwater quality by incorporating.
© Mark J. Rebilas-USA TODAY Sports Urban MeyerThe Jacksonville Jaguars officially parted ways with head coach Doug Marrone on Monday, and it is hardly a secret that Urban Meyer is at the top of their wish list. There have been reports that Meyer is open to making the jump to the NFL, but apparently interested teams have to be willing to write a massive check.
Meyer is looking for a salary of $12 million per year to coach the Jaguars, Mike Florio of Pro Football Talk reports.
That sounds incredibly steep for someone with no NFL coaching experience, but Florio notes that the Carolina Panthers are paying Matt Rhule $9 million per year. Rhule’s only NFL coaching experience came when he spent a season as the New York Giants’ assistant offensive line coach in 2012. His collegiate resume obviously doesn’t compare to Meyer’s, so you’d expect Meyer to get more.
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A $12 million salary would make Meyer one of the highest-paid — if not the highest-paid — coaches in the NFL.
Jaguars owner Shad Khan is desperate to build a winning franchise. If Meyer doesn’t end up in Jacksonville, we highly doubt it will be because of money.
While Meyer has already turned away interest from several top college programs, all signs point to him being more open than ever to coaching in the NFL. One report even said he is operating as though he will be the next coach of the Jags.
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Related slideshow: 25 NFL head coaches in waiting (Provided by Yardbarker)
Throughout the 40 years that URBAN-15 has existed, it has gone through numerous changes to its aesthetic, its content, and its methods of presentation. However, it has always remained a group of enthusiastic performers fighting to present new, unique and relevant art forms to the community.
URBAN-15’s first public performance took place at the University of Texas at Austin’s Baseball Stadium in the Summer of 1974. Three instrumental quintets – one located at first base, another at third, and the last deep in center-field – performed on elevated triangular platforms with dancers alongside. The quintets and dancers performed unique, concurrent arrangements while the sounds of a toy piano being played through a ring modulator chimed through a conical PA system providing a thin overhead sound field.
From this unusual start a core group of artists, dancers, and musicians grew into an ensemble of 15 members who dubbed themselves, “URBAN-15”. This ensemble went on to experiment with exploratory sound, environmental, and movement-based performance art in a variety of unique spaces around their urban landscape including parking lots, streets, garages, rooftops, beneath bridges, and inside of drainage tunnels.
URBAN-15 crashed the Houston art scene in 1975, bringing their experience in large mobilization projects and assortment of installation, ensemble, and electronic activities with them. Through collaboration with KPFT’s “Avant Garde Show” and SumArts Experimental Works at Miller Theater, URBAN-15 became a frequent feature at art openings, the Houston Festival, and emerging alternative spaces like Lawndale, SpaceDance Theater, and Diverse Works.
In March, 1979, six members were invited for a month-long residency for installation and performance work development at Media Studies in Buffalo, New York, with run-out performances at the Everson Museum in Rochester and the Smithsonian in Washington, D.C.
In 1983, URBAN-15 organized the first “Third Coast New Music Project” at Temple Chambers in Houston. Sound artists and composers in that first presentation included Paul Hunt, Ron Kuivila, Jerry Willingham, Robert Kainer, Jules Vieau, Thomas Brickley, and Jesse Puente. Over the next 11 years, the “Third Coast New Music Project” offered audiences opportunities to hear amazing experimentation in sound and observe stimulating works by dancers and performance artists.
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Among the 121 featured performers were Pauline Oliveros, Jerry Hunt, Morton Subotnick, Thomas Wells, Karl Korte, Nina Martin, Deborah Hay, The Steve Paxton Group, The New Band, Jesse Hernandez, Sandy Dunn, Reed Holmes, Jules Siegel, Pat Olevsko, Dennis Gonzalez, Marcus Stockhausen, Dee McCandles, Charlie Guzman, Sarmod Brody, Phil Krumm, David Hykes and Harmonic Choir, BL Lacerta, Powell Shephard, and Blue Gene Tyranny.
The first 15 years of URBAN-15 were filled with enormous adventures and personalities. Here were the seeds of URBAN-15’s arts education programming later launched in San Antonio. This program called simply CULTIVATION was selected as a model program by the San Antonio Parks and Recreation Department. URBAN-15’s ArtsTeach Project was later absorbed by the Department of Arts and Cultural Affairs and continues today under the stewardship of ArtsSA.
Since establishing its home base for operations in San Antonio in 1980, URBAN-15 has gone international, with multiple performances in Mexico, and unforgettable appearances by our performance ensemble at the inaugural parades of presidents Clinton, Bush, and Obama.
To this day, URBAN-15 continues to bring new and unique art forms and education to the community. From Carnaval de San Anto, to the Josiah Media Festival, to the Holiday Laser Show, URBAN-15 has never stopped pursuing its desire to present unique and new forms of art and instill a lifelong involvement in the arts.
Original URBAN-15 members performing “Breaking Down the Motion” in March, 1983